Recent Tweets

How To Cover A Protest (Starting Today)

 By: Sally Kohn, Mediaite


This week, thousands of Americans are descending on Wall Street to protest the fact that local and state governments (including New York) are cutting social services and firing teachers while failing to go after tax dodging by big banks and other corporations. This offers a perfect opportunity to educate the news media about how to appropriately cover such political actions and confrontations — not just abroad but right here, in our own backyards.

On March 7, 1965, Roy Reed of the New York Times wrote one of the many great pieces in the Times highlighting the injustice of racism and the bravery of civil rights protestors. As he described police forces in Selma, Alabama, descending on protestors with clubs, whips and cattle prods, Reed wrote, “The Negroes cried out as they crowded together for protection, and the whites on the sideline whooped and cheered.” With this reporting, the Times made very clear it was neither indifferent nor on the sidelines whooping. Even now, as democratic people’s movements sprout across the Arab Spring, journalists are also helping give voice to the voiceless, using their pens and cameras to help lift up the stories of protestors who are being beaten down by the dictatorial establishment. The news media is molding global public opinion to stand on the side of the protestors.

But today, as Americans crippled by foreclosure and unemployment engage in peaceful, civil disobedience and protest against the very institutions of Wall Street that crashed their lives and our entire economy, where will the media stand? Because make no mistake about it, reporting is never objective. Any good reporter will tell you there are always at least two sides to a story and the media always has a choice of which version it will tell.

According to Allison Kilkenny, veteran protest reporter and co-host of Citizen Radio, the job of journalists is not to repeat the talking points of the establishment or status quo but “go where the silence is” and hold a microphone up to the voiceless. Bank of America can write their own press releases, thank-you-very-much. We need journalists to tell the stories of families facing foreclosure because of Bank of America’s sham loans and risk taking.


TIP 1: Tell the story of the protestors not the story of the protest

Sometimes it takes rather raucous, even unlawful protests for the voiceless to be heard. And sometimes the protests themselves are rather unremarkable events — some people show up, occupy a building, the police disperse them and everyone goes home. And yes, activists can and do more to create interesting, newsworthy protests. But still, journalists should understand the reason to cover protests isn’t the protest itself but the people who assemble there — the characters in a larger story of ordinary Americans fighting the extraordinary powers that be. Journalists need stories. Protests are brimming with them.

TIP 2: Cover the middle of the margin

Protests are generally about marginalized communities — those who don’t have formal power and can only achieve change by, together, confronting those who do have power. But the history of protest journalism is littered with examples of reporters highlighting the fringe of the margins — for instance, not the working class lesbian moms marching in a gay rights parade for their basic dignity, but the man-boy love association contingent that wants to legalize pedophilia. Sure, sometimes the “fringe” points to a dangerous trend within the movement — for example, the consistent prevalence of overtly racist signs and slogans within Tea Party protests. But in general, the few violent punk anarchists or Black Panthers do not represent the norm. At the very least, responsible journalists contextualize acts of violence or destruction where they do occur as not the norm in that protest if they are, in fact, aberrant.

Similarly, the so-called “grasstops” of a protest also doesn’t represent the norm — the wealthier, well-connected protestors who already carry status and legitimacy. For instance, a celebrity might draw you to cover a protest — but try not to insult the ordinary people for whom that celebrity is fighting by only quoting or over quoting the famous one.

TIP 3: Small protests can make a huge impact, so don’t dwell on numbers

It was one street vendor in Tunisia setting himself on fire that sparked people’s movements in that country and across the Arab world. Cindy Sheehan’s encampment outside George W. Bush’s Texas ranch sparked a movement of mothers of deceased soldiers and other advocates stepping out of the woodwork to oppose the war in Iraq. Rosa Parks refusing to move to the back of the bus. Four young African American men sitting at a whites-only lunch counter. Throughout the history of the United States and the world, small protests have made an enormous difference. If you get caught up in the details of how many people came to the protest — or, for that matter, what they were wearing, etc. — you may miss the larger point.

TIP 4: Remember that protest is as American as apple pie

Without protest, direct action and civil disobedience, there would not be a United States of America. The original Boston Tea Party was a protest. The American Revolution was a form of protest. And every great accomplishment since, in the perpetual task to perfect our union, has been the result of protest — from abolishing slavery to granting women the right to vote to establishing civil rights laws and desegregating America to increasingly embracing immigrants, gay people and more. In a political system in which corporate interests hold structurally more sway than the votes of the people, the people need other avenues to make change. Disrupting the status quo to draw attention to an alternative vision in the service of collective prosperity is an American tradition.

Already, this year has seen more news coverage of protests and citizen movements than many years’ prior — from Madison to the Mojave and in between. And much of this coverage has been not only informative but inspiring — reminding all of us of the power of a few committed individuals working together for change. Yet there’s no doubt that a large part of what drove the coverage was the significant scale of the actions. In between, there have been hundreds if not thousands of small and medium size acts of civil disobedience and direct action that, perhaps while less significant in size, are no less significant in the story the tell. And it is these stories that may be like the Tunisian fruit vendor or Rosa Parks — protests that see small and insignificant protests, until we all realize they’re not.

A spirit of people’s movements and social change is sweeping the globe. Grab your notebook, your camera, your microphone — and help tell the story of the future.

PS — If you want to practice today in New York, check out — a full day of teach-ins and civil disobedience to protest the fact that, as governments cut social services and teacher salaries, the big banks continue to make record profits but pay zero taxes.

Sally Kohn is a political commentator and community organizer. She is the Founder and Chief Education Officer of the Movement Vision Lab.